• Jonathan A. Anderson, “The (In)visibility of Theology in Contemporary Art Criticism,” in Christian Scholarship in the Twenty-First Century: Prospects and Perils, ed. Thomas M. Crisp, Steve L. Porter, Gregg Ten Elshof (Eerdmans, 2014), pp. 53–79.

  • Jonathan A. Anderson, “Contingency and Faithfulness: Francis Alÿs and the (Re)presentation of St. Fabiola,” Religion and the Arts 18, no. 1–2 (2014): 269–289.

  • Jonathan A. Anderson, “Silence in an Age of Mass Media: John Cage and the Art of Living,” ARTS: The Arts in Religious and Theological Studies 28, no. 2 (2017): 29–37.

  • Jonathan A. Anderson, “On the Strange Place of Religious Writing in Contemporary Art,” in Contemporary Art and the Church: A Conversation between Two Worlds, ed. W. David O. Taylor and Taylor Worley (IVP Academic, 2017), 37–46.

  • Jonathan A. Anderson, "Suspending Disbelief: Wim Botha's Crucifix," CIVA SEEN XIV.1, Unsettled Ground issue (Spring 2014): 22–24.

  • For further examples and information, see Anderson's Amazon page or Academia.edu page.